Anyway, the delegation alleges that they're shocked by Haqqani's demands, Lockhart is fuming, and the ambassador remains calm and pragmatic, suggesting they all meet again the following morning with a plan of action. ), The episode’s climactic set piece is a glorious combination of high- and low-tech—pickup trucks and cellphones, pistols and drones, satellites and small-town streets—that finds Saul trying, in vain, to elude the Taliban search party tasked with bringing him back to Haqqani. In “Ego Death,” the final episode of the British comedy-drama I May Destroy You, actress, writer, and series creator Michaela Coel confidently defies convention and, with it, any expectation that the events of the series, like life, can be tied into a tidy knot. Yes, part of Carrie feels violated and wounded by the pill-swapping operation, but part of her admires it as a job well done, and you can bet that she will welcome the opportunity to “turn” the ambassador’s husband and deploy him against her I.S.I. After the emotional rollercoaster we all rode at the end of last week's episode, we ease into this week's with Carrie waking up in an unknown (to her) bedroom.

Everyone disperses silently and the camera lens focusing on Tasneem just reinforces my hatred for her. I’m finally seeing it for the first time.

As it happens, even Khan (Raza Jaffrey) needs colleague Tasleem Qureshi (Nimrat Kaur) to explain the endgame, and she berates him for ruining an opportunity to see Carrie relieved of duty and sent back to Washington. And she’s often the only voice of reason among her best friends, Travis (James Wilbraham) and Lydia (Poppy Lee Friar), who seem to always get into trouble whenever she’s not around. So Carrie instead led him back into the arms of the Taliban, as Saul vehemently cursed her and her team for lying to him. Nothing good can happen in this fucked-up world that we’ve made for ourselves. It appears he’s at least semi-sweet on her, and I can’t imagine he enjoyed being told off by Qureshi after Operation Pill Swap went south, but there has to be more to it.

Himself included. The Third Day works best when it’s not teasing out this or that secret about Osea and its cagey inhabitants. The realistic harassment suffered by the Black residents of a boarding house in a white neighborhood, for example, is thrown into even sharper relief by the mutilated ghosts who stalk its halls. Intent on reclaiming the Sandy files lost to Haqqani, Quinn stayed behind last week and Carrie has followed suit. Visit your state election office website to find out whether they offer early voting. The Capture sucks the juice out of its pop-cultural reference points, failing to mine our current nightmares on its own terms. These negotiations proceed against Saul’s wishes, as Carrie understood when she ordered the bombing of Haissam Haqqani’s (Numan Acar) convoy in “From A to B and Back Again.” The former C.I.A.

Episode three, “Don’t Forget the Sea,” crucially plants the seed of the unexamined tension within Arabella and Terry’s friendship. He arrives at the extraction point at the same time that Carrie has an epiphany that causes her to leave the meeting with the Pakistani delegation. Homeland Recap: The Son Also Rises Reservations about Brown are voiced by Onion, who acknowledges the potential “white savior” narrative in the first episode, as well as by others like a reluctant, newly freed recruit named Bob (Hubert Point-Du Jour) and even the renowned Frederick Douglass (Daveed Diggs). Cops pull out their guns the moment they set eyes on Tic and his associates, and conversations between the main characters and white people are marked by eye-averting submissiveness and fear. may be self-aware, but Next the series rarely is. Throughout the series, these characters are mostly defined by archetypal qualities, with new ones introduced almost as soon as others are lost. Homeland Season 8 Episode 4. Hmm ... Aasar Khan, are you a genuinely good guy or are you just trying to cover your own ass? The Earth vomits gas and magma, and the ground violently splits open, only to be jammed back together into new, alien configurations. A recap of ‘Prisoners of War,’ the final episode of Showtime’s Homeland, season 8 episode 12, starring Claire Danes and Mandy Patinken. They have the space to change, while the adults ruminate on the decisions—the marriages, the jobs, the beliefs—that they’ve long since committed to. In addition to escaping, Saul has somehow also managed to grab a cellphone and he calls the embassy. He conveniently leaves out Tasneem in his big reveal but, to be fair, his loyalties do lie to the Pakistan delegation after all.

The Afghan peace process got rocked by tragedy this week on 'Homeland' — read TVLine's recap of Season 8, Episode 4.

But something else interesting happened, too, in the wake of Carrie’s meltdown last week (literally, “I feel like I’m taking crazy pills!”)  Khan, as was my mistake and initially Carrie’s, was not involved in the plot to swap out Carrie’s meds. Watch THE HUNGER GAMES: MOCKINGJAY - PART 1 NYC Press Conference with…. Her obsession with crafting a perfect external image of herself makes it impossible for her to form emotional connections with anyone, even people who genuinely care for her.

Bethan is smart and sensitive, and Creevy makes the character, with her conspiratorial smile and natural aversion to being told what she can and can’t do, easy to like—even as Bethan frustratingly and steadfastly refuses to let anyone in.

The delegation and the embassy sit down to discuss Saul's capture yet again but, this time around, they're thrown a major curveball. “Stories are like people,” he says. agents in his midst only to have it dissipate almost immediately. But when it works, especially at the start, The Good Lord Bird invigorates its material with the rousing trappings of a semi-comedic western that gives it a particularly memorable sort of power. Tap here to turn on desktop notifications to get the news sent straight to you. She's clearly worried for his well-being and her own -- it's heart-wrenching. Aasar Khan indicates that he didn't know and that he took her into his care to protect the relations with the Americans.

— “Transparency, teamwork … and fuck, there was another one, but I forgot what it was” – Lockhart, who is growing on me. Though “Halfway to a Donut” isn’t as rich with ideas as certain other episodes this season, it’s plenty exciting, and its concluding minutes ultimately register as the moment at which Carrie finally comes around to her colleagues’ jaundiced view of life during wartime. After the United States completely pulled out of Pakistan, the ambassador and company have headed home. The chess match between the CIA and ISI continued in “Halfway to a Donut,” with Saul as a human playing piece. This is hardly a hagiography, the off-kilter tone allowing for refreshingly complex portraits of not just Brown, but a rather stuffy conception of Douglass, whose apprehensions make sense but whose place within society and all the eyes upon him often restrict his public actions. When Japan Sinks 2020 actually allows space for us to absorb the characters’ deaths, you may feel as if there’s little to mourn. Published. What’s been really fun about this season of Homeland is that the major arc can never be fully predicted. You just try to cherish them and overlook their flaws.” The old woman responds: “Yeah, but the flaws are still there.” That exchange could be the thesis of Lovecraft Country, which eclipses even its source material in capturing the all-encompassing dread of Lovecraft’s fiction while at the same time confronting head-on the most problematic aspects of his writing.

That show’s protagonist, Jack Bauer, was a charismatic hawk who did things that most people to the left of Dick Cheney would find monstrous. As such, he regards it with no small degree of skepticism, not least of which because one of Brown’s outbursts gets the boy’s father killed. One is a reformed member of a white nationalist group, while the other is a stubborn Latina, and their growing connection is handled as clumsily as the show’s other efforts at social commentary. As Carrie — and viewers — knew, however, help was not on the way. In one scene, Britney drags Fraser to the beach because he’s allowed to drink off base. Kid Cudi). Privileging character over plot, I May Destroy You has no need for the kinds of melodramatic reveals on which other cable dramas like Big Little Lies rely, and it proves no less revelatory on that front. Snapped out of his chaotic collapse by the sight of a teenage girl, Epona (Jessie Ross), hanging herself from a tree in the woods, he saves her life and drives her home, even as she murmurs, “They’ll kill me.”. By Jenna Amatulli.

The dead doctor was an old friend of F.B.I. His capacity for violence is startling, as in one scene where he and his followers drag a man out of his home to cut off his head due to his complicity. By Jenna Amatulli.

like a terrorist that Jack Bauer could track down and torture. In addition to these “gunfighters of the Gospel” who take arms against slave owners and the institutions that enable them, the world of The Good Lord Bird is full of hypocrites and apologists. By contrast, the violence of The Capture is just noise to further the plot. But she later defended the decision, making it hard to explain away as temporary insanity. As volatile as Bethan’s family relationships can be, In My Skin still has plenty of humor, emanating from Bethan’s biting wit and frequent flights of imagination, during which she casts herself as the romantic hero in Poppy’s life, as well as a poet whose words are illustrated with perfume commercial-style images. As abolitionist John Brown, a wild-eyed and scraggly bearded Ethan Hawke spends much of Showtime’s The Good Lord Bird—based on James McBride’s National Book Award-winning novel of the same name—shredding his throat as he bellows for the end of slavery. The bed! Our editorial content is not influenced by any commissions we receive.

Homeland recap: Ka-boom! Fraser feels compelled to center himself in his own world, doing things like balancing precariously on a bridge railing or intruding on Italian homeowners sewing outside, though sometimes he allows himself to be guided by new acquaintances, like fellow army brat Britney (Francesca Scorsese).

program known as Next achieves self-awareness and sets its sights on destroying humanity, beginning with a doctor (John Billingsley) who discovers its true intentions. While this idea is noble, the series moves on from the tragedy of these characters’ lives so quickly that we never get a sense of the totality of their grief. Arabella’s assault forces her and her closest friends, Terry (Weruche Opia) and Kwame (Paapa Essiedu), to examine their own sexual encounters, relationships, and histories, leading them to disconcerting conclusions about the various roles they play in relation to each other and their sexual partners. To revisit this article, select My⁠ ⁠Account, then View saved stories. Homeland Recap: What's So Funny 'Bout Peace, Love and Understanding. Much of the show’s drama pivots around how successful it will be at slowly pulling back the curtain. She leaves, never to be seen again. But it wraps all of that up in episodes that include both some badass CIA work, and some desperately emotional moments. Her superiors and peers castigate Rachel for her drive, which scans less as an acknowledgement of sexist double standards than as Chanan’s need to define his characters by signpost dialogue. Like the stories that The Third Day appears on its surface to be emulating, much of the drama here will ultimately pivot around just how successful it will be at slowly pulling back the curtain until its final reveal. “Loving them doesn’t make them perfect.