This article “Who is Leila in Netflix series Grand Army” contains spoilers. Learn how your comment data is processed. Across these two episodes, We Are Who We Are has clearly positioned the parallel stories of Cait and Fraser so that they can’t help but intersect; here, again, the shorthand of clothing is used to symbolize a potential willingness to open up to someone else rather than keep all one’s conflicts internal. "I'm hemorrhaging!" We recapped every episode — check out the. But in a study on the social significance of when girls experience menarche, psychologists found that the clock girls develop has much more to do with how they stack up to other girls than with their readiness for sex. I’d wondered why the second episode of HBO’s We Are Who We Are was titled “Right Here Right Now II”, and how it would function as a direct continuation of the same-titled premiere. Similarly, the show is once again glib about the rampant nature of sexual violence in the military. But if, as we were encouraged to do in episode one, you focus on Seamón’s eyes, they tell you everything you need to know about Caitlin at any given moment. With updated release dates where available. Who is Leila in Netflix series Grand Army? They’re more like ocean waves that ebb and flow and blend and crash into one another depending on the tide. But I love thinking about the way this HBO drama wants to continually ground us in the here and now, even as this episode has us move backward in time before circling back to some of the scenes we first saw (from Fraser’s perspective, at least) last week. Minecraft Dungeons review – Mojang’s spritely dungeon crawler strikes a vein, Maneater review – something to get your teeth into, Hellblazer: Rise and Fall #1 review – competent and worthwhile, but not much more, Batman: Three Jokers #2 review – as dark (knight) as it gets, Tehran season 1, episode 7 recap – “Tamar’s Father”. Except the next morning when Caitlin wakes up, everything is already changed. It explains her response to her father (played by Scott Mescudi, a.k.a. Something must break. Menstruation may have forced Caitlin’s father into acute awareness of his daughter's biological sex, but for Caitlin it seems to have invited curiosity about her gender expression. This site is protected by reCAPTCHA and the Google, By submitting your email, you agree to our, Clare Crawley Has Been Liking Tweets About, The 50 Best Horror Movies on Netflix Right Now. This tomboyish young girl, who boxes at night with her dad and runs hot and cold with her de facto boyfriend, is ready for a change within and outside herself. Her father, whom she usually accompanies as he sells cheap gasoline to locals off-base, has left without her. Spoilers ahead for We Are Who We Are Season 1 Episode 2. Gwen Stefani and Blake Shelton Are Engaged Since Apparently They Weren’t Already. You can check out our thoughts on the previous episode by clicking these words . Cait’s outfits are used as shorthand all throughout We Are Who We Are episode 2, and I appreciated that there was no effort expending in painstakingly laying out what each one symbolized. The point is that a single person contains multitudes and that several people can all be grappling with the internal struggle of whether they belong, whether they want to, and whom they might belong to. If We Are Who We Are plans on actually engaging with any of the political and social implications of this development, it hasn’t done so yet. "Daddy!" MGM pushed its release date to August 2021. Periods make us aware of aging, of time passing. DC’s Black Label imprint has provided us with some mature content for some of their most iconic characters. Teenagers, by their very nature, are mercurial. Everyone really, really needs therapy right now. All rights reserved. “Right Here Right Now II” is as seemingly plotless as the premiere, but it’s really about trying on new outfits, figuratively and literally, and seeing how they fit; about how a person, too, contorts themselves into different shapes in the hope of finding their own place in the world. We Are Who We Are does the same, often by the same pentimento techniques. Megan Thee Stallion Wants You to Take Her Name Out of Your Mouth in Freestyle. Two, to be exact, both encouraged by young men in Caitlin’s life. And here is where we praise Seamón, who anchors Caitlin’s shifts in mood with aplomb. We will be recapping, This recap of The Right Stuff season 1, episode 3, “Single Combat Warrior”, contains spoilers. Thanks for reading our recap of We Are Who We Are episode 2, “Right Here Right Now II”. Here Are All the Movies Delayed Because of the Coronavirus. Her period is approached with a liberal sensibility about women’s bodies, but it’s still largely symbolic. Often in art where puberty is a gateway to sex, menstruation becomes a lazy shorthand for establishing a young woman as older than she looks or maybe even older than she perceives herself to be. At one moment, she’s giddily joining her father on an early errand on the water; the next, she’s freely dancing on her own. Keep up with all the drama of your favorite shows! The show’s striking visuals do a lot of this heavy lifting too. I Made Drake’s Nasty Birthday Macaroni and Cheese. The other, more figurative, finds her trying on the clothes Fraser sends her, an overture that further sets the two teens up for a nurturing friendship that will hopefully push them to embrace whom they might yet be right here, right now. Seeing Faith Alabi’s Jenny inaudibly trying to bond with her daughter standing next to a Serena Williams poster (“Strong Is Beautiful”) as she’s drowned out by the sounds of Young M.A’s “OOOUUU” ( “When you tired of your man, give me a call / Dyke bitches talking out they jaw”), I suddenly felt like we’d gotten a snapshot into their dynamic in a stupidly efficient sort of way, all the while telling us what it is she most values right then and there. But it also rewound time, letting us re-experience the same period couched in this different perspective and witness old events from a new angle. Spoilers ahead for We Are Who We Are Season 1 Episode 2.

It's more than coincidence that, soon after, a new kid on base catches Caitlin dressed in her dad's button-down, flirting with a girl at a cafe counter and calling herself Harper. If there’s something that director Luca Guadagnino and his co-writers, Paolo Giordano and Francesca Manieri, want us to witness in these seemingly disparate moments it’s the sense that this routine Caitlin has mastered has, perhaps, become too rote. She’s just figuring herself out, seeing how far she can push the boundaries set by others and the limits she imposes on herself. Which isn’t to say Guadagnino's portrayal moves from idealistic to realistic. “Happy period, you little slut,” Britney tells her, as succinct and depressing a distillation of menarche’s broader social meaning as one can imagine. Indeed, to judge by these two episodes alone, it’s clear We Are Who We Are wants us to embrace a leisurely approach to its storytelling. Fraser, for instance, is an outsider; Cait isn’t. When a friend suggests they go home because of it, Caitlin declines: “I feel like dancing.”. A gut punch of an episode examines how grief can both break us and make us look at ourselves anew. The series, set on a US military base near Venice, is a thematic extension of the Italian director’s Oscar-winning Call Me By Your Name, a film that took the excruciating awkwardness of coming of age and re-brushed it as something beguilingly romantic. The girl who considers herself late is reincorporated among her peers by her menarche, no longer the deviant by absence, and is reassured of normality,” an excerpt of First Blood: A Cultural Study of Menarche reads.The first person Caitlin runs to tell about her period is her best friend, Britney, rather than, say, her boyfriend; she does it excitedly, like a person relieved to be back in the club. If that’s the direction the show is heading in, and this is the style it maintains, then it might end up being one of the more striking coming-of-age tales for a while. Possibly part of a new “Megan Mondays” series. City Girls Light Up the BET Hip Hop Awards Stage. Those various identities or impulses Caitlin leans into throughout the episode (embodied by her various outfits) aren’t so much at war with each other as trying to figure out how (and if) they all fit within her whole self. But its plurality should already alert us to the fact that the HBO drama is fascinated with the multiplicity that’s inherent in ourselves. Just as last week we were egged on to merely follow Fraser (Jack Dylan Grazer) along and learn to see the world through his eyes, this time around we’re encouraged to do the same with Caitlin (Jordan Kristine Seamón).